New Arrivals

The first snow of winter, marching towards us across the Jura.

Different perspectives on the approaching snowstorm on the French Jura. All photos: PKR

Different perspectives on the approaching snowstorm on the French Jura.
All mountain photos: PKR

The sun was shining in a final burst before a major storm that was due to hit overnight, and I had to go for a final autumn run in the last bits of warmth, even as I could see winter’s approach.photo 1-6

No images here of the white carpet that greeted us the following morning, it all started melting soon after sun-up.

But in celebration of winter’s greeting card, we tried the Suntory produced Hibiki Japanese Harmony Master’s Select blended whisky I mentioned in a recent post, a foray into mostly unexplored territory for single malt fans such as ourselves.

According to Master of Malt, “Hibiki Japanese Harmony is made with malt whiskies from the Yamazaki and Hakushu distilleries, as well as grain whisky from the Chita distillery. The whiskies are drawn from 5 different types of cask, including American white oak casks, Sherry casks and Mizunara oak casks.” The blend includes ten different malt and grain whiskies.

photo 4-3

For me, this is limited edition blend is a curious mixture of tart, oaky acidity with round apple sweetness and not much in between, a double-edged sword that I’m not sure I love, but which I definitely enjoy. It’s like one of those candies which you might not like at first taste, but which you can’t seem to stop yourself from eating.

The Hibiki bottle and stopper.

The Hibiki bottle and stopper.

I do, however, think the bottle, with its 24 facets and matching stopper, is very lovely. The 24 facets are meant to represent the two dozen Japanese seasons, and I’ll be the first to admit that although I lived in Japan, I didn’t realize just how many seasons I was experiencing over the course of a year.

Alps across Lake Geneva, before their winter coat.

Alps across Lake Geneva, before their winter coat.

What I do know is that a new season is upon us. It’s cold outside.

Yes, winter is not only coming – it is already here.

That doesn’t have to be all bad.

Field Clocks

Excerpt from the Crescenzi calendar (c. 1306) via Wikimedia by Pietro de' Crescenzi

Excerpt from the Crescenzi calendar (c. 1306)
by Pietro de’ Crescenzi via Wikimedia

There’s something reassuring in the routine of sowing and harvest. It’s not just the crucial aspect of food security.

It’s one way we, as humans, keep time. A vast clock that we make every year anew.

A nearby field, ready for final clearing. All photos: PKR

A nearby field, ready for final clearing.
All photos: PKR

It’s blazing hot here, and as I wrote yesterday, the local farmers are using the heatwave to cut, dry and bale the early wheat crop. The air is thick with the sweet scent of cut grain.

Prickly wheat heads try and hitch a ride on my socks as I run past. Even though they’ve been processed and sown and harvested, hitching a ride is just what seeds do.

The same field, less than 24 hours later.

The same field, less than 24 hours later.

In the pre-industrial era, how long would it have taken to work one complete grain cycle on this field? It would certainly have required a vast collective effort.

Even today, most of the large machinery is shared between local farmers. But a harvest like this only takes a day or so from start to finish, and the same machines can be seen rotating around the village this week, cutting and baling one field after another.

Ready for the next crop.

Ready for the next crop.

Locals tell me that sometime in the middle of the last century, fields were mandated to lay ‘outside’ the village so it could develop into a more ‘residential’ locale – but it’s only recently in the last 15 years that this tiny village of 700 inhabitants started really growing. Even when we moved here back in the 1990s, it was mostly families who had been here for generations, most of them with small farms that encircle the village like a moat.

Now, with new apartment developments springing up faster than summer corn, and the farmer families selling their land and moving away, the harvest is seeming more and more like a clock that is slowly winding down.

The Harvesters (1565) by Pieter Brueghel the Elder via Wikipedia

The Harvesters (1565)
by Pieter Brueghel the Elder via Wikipedia

The Urge to Affiliate

photo 1I was out on a run yesterday, my usual loop, when I found this piece of tree bark lying across the path.

Here along the border between France and Switzerland, we’re in the midst of a bise blanche, a fierce wind that blows down through the Geneva basin from the north.

A bise blanche weather forecast looks cheery – wind and sun, like this:Screen Shot 2015-03-06 at 11.35.12 But the wind is a bully, cold and muscled. Roads and paths are littered with parts of trees and debris.

This bark segment caught my eye because it was colonized by so many different groups of lichen, moss and insects and spiders. Part of an arboreal architecture, home to so many other forms of life.photo 3-1

I couldn’t resist stopping to take a few pictures.

It’s a vision of life living on and with other life. photo 3-2

I had planned on writing today’s post on biophilic design. It’s defined as the integration design principles for architecture and urban planning with ‘biophilia’ – “the passionate love of life and all that is alive” (Erich Fromm in 1964) and “the urge to affiliate with other forms of life” (Edward O. Wilson in 1984).photo 1-1

The concept of bringing nature into cities and buildings has been gaining traction (taking root?) over the past couple of decades.

There are aspects of sustainability (green walls and vertical gardens, for example), but many correlate the integration of nature into design, including sunlight, with lower stress levels and better health and improved well-being.photo 2-1

Industrialization and its design aesthetics often led to a distancing from nature in homes and cities; many would argue this has been to our detriment (not to mention damaging to the environment). Biophilic design is an ongoing discussion on letting nature back in.

Feeling the wind blow through me while looking at this heavily inhabited bit of bark on a blazingly sunny afternoon, it’s almost impossible to imagine keeping it out.

Life finds its way in everywhere.photo 2

One Everything With Snow

I have a friend in New York City who sometimes calls me while she’s on her way to work. And every so often, I’ll be a long-distance eavesdropper to an order of her favorite breakfast bagel: A toasted Everything with cream cheese.

I know it’s just a bagel order, but having an Everything for breakfast has always tickled me with its notion of cosmopolitan inclusiveness. Even if the Everything is just bagel with a mixed topping of poppy seeds, sesame seeds, caraway, dried onion and garlic, and salt. No dill, rosemary, countless other herbs and additions, no waffles, eggs, tomatoes, potatoes, blinis, and so on…so technically, not everything.

But still, a lot of things.

Photo: PK Read

Photo: PK Read

I was thinking of that when I took this picture on my way home yesterday afternoon on blustery day of grey clouds, rain, snow, sunshine, patches of warmth and gusts of cold. The snow line looked like it had been drawn with a ruler, clouds covered the crest of the Jura in a thick topping of white, while a light drizzle fell over our house even as the sun shone.

So here’s my version of an Everything – the French Jura mountain range on a gloriously unpredictable Saturday afternoon in January. Delicious.

Blended Pumpkin Comfort

 

Pumpkin from the garden. Photo: PK Read

Pumpkin from the garden.
Photo: PK Read

The weather over the last week has turned decidedly seasonal-appropriate, with a dusting of snow on the Jura range and wind that is anything but gentle.

The bird feeders are out, the garden is tucked in against the cold, and it was time for some comfort food.

Pumpkin soup, fortified with Gruyère cheese.

Used half, kept the rest for more soup this week… Photo: PK Read

Used half, kept the rest for more soup this week…
Photo: PK Read

Usually I make a simple stock using the pumpkin seeds scraped from the squash interior, carrots, turnips and celeriac, with a bunch of parsley. And I went to do exactly that yesterday, but found I was lacking a couple of ingredients, namely, the turnips and celeriac that give the soup its earthy, rounded flavor.

It was a lazy day, I didn’t feel like going to the store since the pumpkin was already roasting in the oven, so…I turned to whisky.

A world inside. Photo: PK Read

A world inside.
Photo: PK Read

I sautéd onions until they were glassy, then deglazed them with a couple of shots of Famous Grouse (no, I wasn’t about to use one of my good single malts for this one).

The result? Subtle, but tasty. A fine alternative, and also, a new thing I hadn’t tried before, an added positive.

Photo: PK Read

Photo: PK Read

The recipe is a bit fussy for something as simple as cream of pumpkin soup, but it’s both tasty and hearty, so here it is:

Heat the oven to 200°C (400°F). Cut and scoop a flavorful pumpkin (I usually use a red kuri squash). Keep the seeds and scooped bits.

Without peeling the pumpkin, rub the flesh with olive oil, place it flesh-down in an oven tin, and let it bake until completely soft. Remove it, let it cool, and you should be able to peel the skin right off the roasted pumpkin.

While the pumpkin is roasting, cut up a couple of yellow onions and sauté them in a pan with olive oil. Once they are glassy, add fresh thyme and sage, stir a bit, then deglaze with whisky.

Add the roasted pumpkin to the onions with a ladle’s worth of the broth, stir for a few minutes, then strain the broth into the pumpkin/onion mix until you get the consistency you like. Give it all a stir to get anything sticky off the bottom of the pot, then purée until smooth. Add a few dollops of cream (or milk), then slowly add a couple handfuls of grated Gruyère cheese, stirring the entire time. Not too much or you end up with stringy cheese soup (unless you like that, then add more).

Salt and pepper to taste.

Note: I’m celebrating my 500th post with this one – thanks for visiting!

Some smooth orange music to go with the soup:

Stopwatch Pause

Yesterday I promised myself, while out running, that I would not dally to take pictures. And before that thought had even come to an end in my inner monologue, I came around a corner and saw an oak tree ablaze in the first autumn sunset of the year.

So I switched off my stopwatch, climbed under the electric fence (it’s meant to keep the horses in, not me out, right?) and stood very close to but not within a perilous patch of stinging nettle to catch a bit of equinox fire.photo 1_3

The newly orange and yellow leaves on the oak are not necessarily set apart from the golden hue of the sun’s rays in the last moments before it dipped below the crest of the Jura mountains.

The phone camera, wonder of technology that it is, still isn’t quite made for this kind of light – or perhaps I should say, in my impatient and unskilled hands, it wasn’t easy to catch both detail and light.

I opted for light.

Welcome, Autumn.photo 3

 

Blackberry Meander

On an evening walk last night, I took a picture of these blackberries to remind myself to go and pick some of them and make jam to mark the beginning of September.photo 1_2

And then I liked the picture, so I took a few more of flowers as they disappeared in the twilight.photo 2_2

The air was alive with singing crickets, the distant bells of the sheep pastured near our own place, and the rustle of cows settling in for the night. The air was cool and soft as the last rays of sun retreating over the mountains.photo 1

The camera didn’t pick up the nuance and definition of the half moon or the black paper cut-outs of the cypress trees against the darkening sky.photo 3

But I hope you get the idea. It had gotten too late and too dark for me to go for a run here, my usual running loop, so I walked it instead.

It was a good walk.photo 2

Sea of Sun

Sea of fog, Geneva basin Image via Monts Jura live web cam (Crozet)

Sea of fog, Geneva basin
Image via Monts Jura live web cam (Crozet)

Yesterday I posted images of atmospheric life at our altitude, all fog and frost.

Today, this is the view from several hundred meters above our heads, taken from a ski station web cam that’s twenty minutes from our place. The view is out over Lake Geneva, with the Alps in the distance. All of the Pays-de-Gex and Geneva, including our village, is beneath that white sea.

It’s comforting to know the sun is right there, if we feel the need to go visit.

Bubbly Surprise

It’s been an icy couple weeks here in the foothills of the Jura, with a strong bise wind blowing down from the Alps, funneling down through the Lake Geneva basin and wearing itself out to points south of here. It’s dry, it’s cold, and it can be unrelenting for as long as it lasts, usually a few days.

A bise is the word used for the traditional French kiss-on-the-cheek greeting (three kisses in our region), but the bise wind feels more like a sharp slap.

In the heart of winter, a strong bise can whip the waters of Lake Geneva into a frenzy, leaving behind well-known images like the one below. We aren’t there yet, although we did get some snow and ice.

Lakeside at Evian-les-Bains, Lake Geneva, during a 2012 bise. Photo: thedarkpond

Lakeside at Evian-les-Bains, Lake Geneva, during a 2012 bise.
Photo: thedarkpond

Not only did the bise finally come to an end this weekend, but I found some other good news.

In spite of a cold winter, a wet spring, a hot summer punctuated by extreme storms and hail, and the latest grape harvest in years, the Champagne region managed to increase its harvest results over those of 2012, and had the best harvest of the past five years.

Not bad, all things considered.

Other wine-producing regions haven’t been as lucky, especially the Alsace and Bordeaux areas, which were badly affected by hailstorms.

This is unfortunate, but as a Champagne drinker, I stay focused on the positive:

Photo via DestinationsPerfected

Photo via DestinationsPerfected

According to the Confédération des coopératives vinicoles de France (CCVF), the French collective of wine-producer cooperatives, there are hopes that this vintage may turn out to be exceptional in quality, as well.

The first tastings of the vin clair, the still wine that precedes the production of champagne, will give some indication in early 2014. The first bottles of this year will be sold in 2016.

No more bise and a promising Champagne vintage after a challenging year? I feel my mood lifting already.

Now here’s some divine bubbly stuff that comes, appropriately, from a movie called Stormy Weather.